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Anja Breien's second feature film emerged as a response to Cassavetes' Husbands, becoming the most analysed film in her country's history. Critic Peter Cowie described Breien as a pioneer of Dogma 95, 20 years ahead of von Trier and Vinterberg's movement in style. It tells the story of three former classmates, now in their thirties, who meet at a school reunion.
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